Sunday, 29 December 2013

Stop domestic violence against women



No little girl dreams of growing up to become a battered wife. But with statistics showing that the number of women in different countries suffering from domestic violence ranges from 15 per cent (in Japan) to 70 per cent (in Ethiopia), it seems many of them do. Why? Because their knight in shining armour whisks them off their feet and carries them off into the sunset. And when they are far enough away that nobody can see them, he beats her up. It's as simple as that. Women do not choose violence. It's not a trait they seek out (GSOH, non-smoker, abuser) when choosing a mate, and it's not a trait that potential suitors brag about during the wooing phase. So often - not always, but often - the abuse doesn't rear its angry fists until a little while into the relationship, by which point there is an emotional connection, a commitment, a shared home, a shared life. And by then, it's too late to avoid it.

The confounding question here is not whether domestic abuse happens or not. We all know it does - and it's not just us, other primates are at it as well. According to an article in American Scientist, chimpanzees and baboons use physical aggression as ‘indirect coercion' to ensure that their chosen females do not mate with other males. The question is, why? Why do men do it? After all they wouldn't let anyone else beat up their wives. And why do women stay?

Family patterns
Sonia*, 45, from Kenya, watched her mother suffer years of domestic abuse at the hands of her father only to watch her younger sister go down the same path. Sonia's sister was beaten by her husband for 15 years until one day he nearly killed her, so she took her four children and left. "This is a universal problem," Sonia says. "I don't know why it happens, or why women stay... perhaps it's how we are brought up. I think the abuser takes away their power, their confidence, their economic security. They get scared of being alone."

There's plenty of research that suggests, and proves, that people who are victimised at a young age often continue to play that role later in life, in other relationships. Donna Needs, a personal success coach at Whitehorse Consulting (whitehorse-consulting.biz) says, "We all have habits and patterns, which start early in our lives. Some serve us well, like brushing our teeth and looking both ways when we cross the road. But some, such as being dominated, or being a victim, don't. Unfortunately, whether it serves us well or not, it becomes our reality and the pattern becomes difficult to break."
Similarly, most abusers have been conditioned to abuse from a young age. "Abusers are part of the pattern, too. They also need help and, in my opinion, deserve a bit of compassion," Donna says. "They have remorse. They want to do better, but don't know how. It's about helping people break their patterns."
Cynthia Grguric, counselling psychologist at LifeWorks Counselling and Development (www.lifeworksdubai.com), agrees. "The abuser is only concerned with making themselves feel good," she says. "If abusing you makes them feel good, they'll keep doing it. They were most likely to have been a victim at some point - it's the victim/abuser cycle. Victims feel powerless and robbed of their dignity. So, to make themselves feel better, they seek out someone to overpower themselves."
Why stay?
In some countries and communities, women are encouraged to leave abusive relationships and there are support services in place to assist them. In other communities it's not that simple. In both situations, some women still choose to stay. So it can't just come down to social stigma and finances.
Anita Sunil is a clinical psychologist at Dubai Foundation for Women and Children (www.dfwac.ae), which supports victims of emotional, physical, sexual, mental and financial abuse and offers refuge in particular cases. They aim to protect women and children from abuse, prevent ongoing abuse and escalating violence and promote outreach through the community. She says that many of the domestic violence victims who contact them for help don't want to leave their situation. She says, "I feel that the number one reason they stay is societal pressure. But the second is because they love their partner."
This seems incomprehensible - someone is beating you, abusing you, destroying your happiness, your children's happiness, and you still love them? Success coach Donna says, "Abuse is not just about harm, it's about learned systems of how relationships operate. It's insidious and it cuts across all cultures, races and societies. It's easy for us on the outside to see the price to the victim and harder to see what she's getting out of it, but there must be something."
There's often a spell of tenderness and love immediately after an attack, which is called ‘the honeymoon period'. The abuser will be full of remorse, affection and apologies, which, for the victims - who are often neglected and dismissed the rest of the time - might be the only bit of sunshine they get, so they bask in it. At the same time, abuse systematically breaks down their self-esteem and makes them feel that leaving, heading out into the world on their own, might be more dangerous, or more scary, than staying.
LifeWorks's Cynthia says, "The psychological torment is almost worse than the physical harm in this sense, because, in order to control someone, the abuser has to convince that person that they are no good - that they deserve to be mistreated. This subsequent lack of self-esteem means victims don't fight the situation." Hence why people who have been abused as children often accept it as adults - they often believe they deserve it, and even that they are to blame. The longer it goes on, the more difficult it is to fight it - a point all the experts reiterate. Anita says, "The longer you stay, the more your self-esteem and personality deteriorates. Eventually you will feel paralysed in your situation and unable to get out."
One person who did get out was 30-year-old Aila* from Egypt, whose 18-month relationship with the man of her dreams suddenly, and viciously, changed into a domestic violence hell just three days after her wedding. Despite her better instincts to leave immediately, Aila stayed for another four months, suffering brutal beatings every two or three weeks before finally getting the police involved and leaving him for good. She says, "After the first time, I didn't tell anyone. I felt so ashamed and embarrassed... we had just got married, we were supposed to be the happiest couple around. He sounded sincere with his apologies... but something broke inside me that day. And even now, a year after the divorce, I still haven't been able to fix it."
Aila's emotional and mental health quickly deteriorated and after the second incident, on their one month wedding anniversary, she started blaming herself. She says, "He beat me really badly that day and afterwards he apologised and said, ‘I'm sorry... but it's your fault. You made me hit you.' I know it's wrong now, but a large part of me blamed myself. I thought, ‘If I keep my opinions to myself and don't upset him, it will stop.' I got really depressed and my weight dropped to 46 kilos. I was losing my hair... I was sick inside and out."
A couple of months later, when Aila confided in her brother, she had an opportunity to leave. But after a seven-hour meeting with both her family and her husband's family, she decided - against her family's wishes - to give it another try. She says, "I loved him and wanted it to work. To people on the outside, they can't understand it... but I can't deny that I loved him. I still do."
Another month later, a few weeks after finding out she was pregnant, the most vicious attack left Aila battered and bruised and, devastatingly, brought on a miscarriage. That was the end for Aila and she filed for divorce. A year on, Aila's physical wounds are long gone, but her emotional and mental scars stay with her. She says, "Until now I just can't stop thinking, ‘Why?' It still hurts and it's very difficult for me to imagine that I can ever trust someone again. He seemed perfect, but he was the opposite. A part of me died in that relationship - the innocent girl in me who believed in true love and meeting The One. I'm not the same person. When you're going through it you feel hated and not wanted. I was lucky enough to want to leave."

Aila's full story of her experience with domestic violence
Carrying the scars
As Aila's account demonstrates perfectly, stopping the violence doesn't stop the hurting. The emotional and mental wounds they suffer when the people who are supposed to love them the most purposefully and brutally break their spirit are (understandably) complex, deep-rooted and long-lasting.
Tragically, the same can be said of any children involved, no matter how well you think you are shielding them. Anita says, "Parents often don't realise that their children are taking more of a battering than they are. They think their children don't know about the violence, but they are smart. They know. And they carry the scars into their adult life, resulting in unhealthy relationships, trust issues, communication issues, behavioural issues, confusion and a feeling of being out of control. I can't stress how important it is that the child gets an opportunity to talk as they often can't talk to their parents about it. We need to hear from the children, so they can express their feelings and fears, and so we know what support they need. A big part of what we do at DFWAC is educating parents on this."
Sonia, who has personal experience of how domestic violence between parents affects children says, "People wonder why I never got married but, after what I have seen, why would I? OK, I'm sure not all the men I meet are abusers but, personally, I don't want to find out. When my sister was being abused by her husband, her children were beaten too and they told us what was happening. She got out and they are building new lives now, but the kids are withdrawn and their academics have been affected. We are trying to support them, but at some point in the children's lives, this experience will cause them issues. I don't think children should be a reason to stay."
Staying strong
Even though we are all aware of domestic violence, the statistics are still shocking. It would be interesting to know how many women choose to leave and how many choose to stay; unfortunately, the muted, concealed, private nature of domestic violence doesn't make this possible and, tragically, it's probably the very worst cases that we never hear about.
However, experts confirm that of the ones who find the strength to seek help - which is in itself a massive step - a large majority of them have no intention, or desire, to leave. The goal, then, becomes bolstering them with enough self-esteem, self-awareness, mental strength and focus to get themselves through the bad times with as much energy and positivity as they can muster... which is no easy feat.
Cynthia says, "My aim with my clients is to help them find empowerment and support, and to make them feel safe, in whatever choice and decision they make. This may involve strategies to help them work around and through the cycle of violence, and helping them to stop the negative internal dialogue - the mental torment - where they blame and verbally abuse themselves. A lot of the time just having someone to talk to in order to validate their experience is huge. Many women can't talk to the women around them - because culturally it is frowned upon, or because they are ashamed, or because they are worried it will make the situation worse. But finding safe people to talk to and opening up about it can really help women to know that they're not crazy and that they're not to blame."
Anita runs regular empowerment sessions for victims of abuse. "It boosts their self-esteem and confidence," she says, "and, most importantly, their communication skills. We have people of all different nationalities, which means that language can be a barrier, so we have to make it interesting and fun. It really helps them channel their emotions and forget about everything for a while."
Anita calls on society to help fight against domestic violence. She says, "If you know someone in a violent relationship, look after them. They often to try to hide it, but they need help. If we can make these victims stronger, they will be in a better position to understand the situation and to free themselves of the fear, sentiment, guilt and shame that dominates them. They need to have a healthy attitude - negativity makes them lose focus and makes them succumb to being a victim. If we can do this, then we can help them fight what's going on in their lives - whether they want to stay or leave."
Choosing to stay - whether it's out of duty, out of love, out of fear, or because you simply can't find a way of leaving - doesn't mean you must roll over and play the victim. You still need to stay strong mentally and emotionally, and only you can make that happen. Donna says, "Get help - you don't have to stick it out alone. Tell yourself that you deserve to be loved and respected and that it's not your fault." Cynthia says, "Identify why you're staying and what your goals are. Being aware of your choices and why you are making them gives you power." Anita says, "Find ways to care for yourself, so you can maintain positive energy and have a healthy perspective. If you can fight for your rights, then you must do so."
  • 25% The percentage of women who will experience domestic violence
  • 7 The number of women in the US beaten or assaulted every minute
  • 95% The estimated percent of domestic violence cases that are not reported
  • 30% The percent of female victims in the US who are killed by their partner
  • 10m The number of children who witness domestic violence annually
Survival strategies
Anita Sunil, clinical psychologist at Dubai Foundation for Women and Children, says, "When victims of domestic violence stay with their abusers, it's important they have a safety plan and coping strategies. These may differ from person to person."
Anita shares her top strategies:
Talk to someone you can trust.
Instruct children, who are also major victims of the violence you are experiencing, not to get involved and how to get help.
Develop other interests, or involvements, so you feel you are caring for yourself emotionally.
Seek counselling or intervention programmes.
Educate yourself as it helps to identify, understand better and deal more effectively with it.
Have safety strategies in place, so you can protect yourself and your children. If you need help with this, call our hotline (800-111).
Seek help straight away as there's more of a chance of decreasing the escalations when you start early. Sometimes it's just the right awareness strategy that is needed.
Teach children that violence is never right even when someone they love is being violent. Tell them that neither you, nor they, are at fault and that it's important for them to keep safe.
Keep a personal log if you want to pursue legal protection. It's also a good way to start dealing with the abuse in your life.
Get medical treatment if there is even the slightest injury from physical abuse and collect a medical report.
Get counselling - survivors of domestic violence struggle with self-esteem, abandonment, fear and post-traumatic stress. As a therapist working with such victims, I can see how psychotherapy allows them to gain a healthy perspective on the trauma and decreases the negative symptoms. It helps in gaining awareness of what maintains the cycle of abuse, strategies to interrupt the insidious cycle, and helps to mend the psychological and emotional pain, while changing the habits of victimisation.
Take pictures and keep them in a safe place where they will not be found by the abuser.
Look for a shelter home that protects and provides safe refuge, as leaving is a dangerous time for abused women and their children. If you do not wish to utilise shelter, still call a shelter hotline for information on their non-residential services, such as counselling, and their resources, like Legal Advocacy, to help navigate the legal process.
Leave. You have the right to live in a home that is free of abuse. Therefore, you have the right to leave home if your safety is threatened. When children are at risk of emotional or physical harm, or of being taken from you, take them with you (if possible). If there is no court order giving someone else custody, you have the legal right to take your children with you even if you leave the country.

Wednesday, 28 August 2013

വിത്തുകള്‍..


വിത്തുകള്‍.......

അടഞ്ഞ വാതിലിന്നുള്ളില്‍
ഒരു തപസ്സ്....
ജലമുണ്ട്, ഗ്ലാസ്സുകളുണ്ട്
കൈകാലുകളൂമെല്ലാം;
എങ്കിലുമൊന്നിനുമാവാതെ..

ഞാൻ വീണ്ടും തളരുകയാണ്
ദാഹ ജലത്തിനായി കൈകള്‍ നിവരുന്നില്ല
ആഞ്ഞൊന്ന് ചവിട്ടി നോക്കി..
ഒടുക്കം ആയാസ്സപ്പെട്ടിട്ടെങ്കിലും
ഒന്ന് നിവർന്നു നിന്നു..
അയ്യോ;
എനിക്കാ പുറം കാഴ്ചകള്‍ കാണാന്‍ കൊതിയാവുന്നു...
പലവട്ടം അടഞ്ഞ വാതിലുകള്‍ തട്ടി നോക്കി
തുറക്കുന്നില്ല;
അസ്വാതന്ത്ര്യത്തിന്റെ ജ്വാലകള്‍ കൊണ്ട് കരിച്ചു
കൈകള്‍ പതുക്കെ പുറത്തേക്കു നീട്ടി..
ഹാ, എന്തുരസം;
സ്വതന്ത്ര്യത്തിന്റെ ആദ്യ ശ്വാസത്തിന്റെ രസം നുകർന്ന്
ഉയർന്നുയർന്ന്...

എന്നാലുമെൻ മനസ്സ് തേങ്ങുന്നു,
ഇനി
വരാന്‍ പോകുന്ന ബന്ധനങ്ങളെ ഓർത്തുവോ...
അകാല മൃതികളെയോർത്തുകൊണ്ടോ?!
എവിടെയാണാ കാലം;
പൂക്കളും പഴങ്ങളുംകൊണ്ടു സമ്പന്നമായത്...
ആ കളകൂജനമെന്നിൽ സാന്ദ്രമാകുന്നത്
ആ കിളിഭാരമെന്നിൽ നിറയുന്നത്;
അതെന്നിൽ ആവർത്തിച്ചെങ്കിൽ....

Burnt the doors of slavery…
Stretching out the hands slowly out
Tasting the first breath of freedom…
Rising… rising….
Weeping of thinking upcoming bondage…

-ബിന്ദു ഗൌരി..

Sunday, 18 August 2013

YAMORE- by Salif Keïta and Cesária Évora

I love this song by Salif Keïta and Cesária Évora

Salif Keïta is an afro-pop singer-songwriter from Mali. He is unique not only because of his reputation as the "Golden Voice of Africa" but because he has albinism and is a direct descendant of the founder of the Mali Empire, Sundiata Keita..

Cesária Évora (27 August 1941 – 17 December 2011) was a Cape Verdean popular singer. Nicknamed the "Barefoot Diva" for performing without shoes,she was also known as the "Queen of Morna".

meaning of the lyrics..

I love you my love
One has hope, if one has hope
Also living without fear and confidence
There wasn’t anything else inexperienced
To look at our childhood until going back shining of innocence
In the mind ?
Wordly, maybe your ?
In the gentleness and soothing
Our love ? tired
From fight and resistance
To survive the storm
In the gentleness and soothing
Our love ? tired
From fight and resistance
To survive the storm




Tuesday, 6 August 2013

The Importance of The story of Leda and swan in the Art..


The Importance of The story of Leda and Swan in the Art..




The story of Leda and the swan was extremely popular in both renaissance and baroque art

Leda

Leda was the Queen of Sparta and wife to Tyndareus. She was the daughter of Aetolian King Thestius. With Jupiter she had Castor, Pollux, and Helen, and with Tyndareus she had Clytemenstra. Not much about Leda is known other than her relations with Jupiter.

While Leda, wife of Tyndareus, king of Sparta, was bathing in a pond near the river Eurotas, was seduced and possessed by a glowing white swan who argued being chased by an eagle. That swan was Zeus, that this deception Leda conquered without arousing suspicion. Since that night he lay with her husband, later gave birth to two eggs. In one of them were Helen and Pollux (sons of Zeus and therefore immortal), and the other Castor and Clytemnestra (mortal Spartan king's sons). Castor and Pollux, 

Jupiter

Jupiter is the god of sky and thunder, while also being the most important and powerful god. He was the main god of Rome and the Jupiter Optimus Maximus on Capitoline Hill is the largest temple dedicated to him. Jupiter was the protector of the Roman empire. He came down from the heavens in many different forms and impregnated many different women.

The relationship between Jupiter and Leda is much different from normal husband wife relationships. Jupiter presented himself to Leda as a swan. Jupiter seduced Leda resulting in Leda laying two eggs. After inpregnating her, he left and went back up to the heavens. The two eggs hatched into Helen and Polydeuces.


Jupiter and Leda are the parents to the well known Helen and Pollux. Their relationship was quite unsual, as Jupiter came down to Leda in the body of a swan. We now have a planet named Jupiter, with a moon named Leda.

Eroticism

The subject undoubtedly owed its sixteenth-century popularity to the paradox that it was considered more acceptable to depict a woman in the act of copulation with a swan than with a man. The earliest depictions show the pair love-making with some explicitness—more so than in any depictions of a human pair made by artists of high quality in the same period. The fate of the erotic album I Modi some years later shows why this was so. The theme remained a dangerous one in the Renaissance, as the fates of the three best known paintings on the subject demonstrate. The earliest depictions were all in the more private medium of the old master print, and mostly from Venice. They were often based on the extremely brief account in the Metamorphosesof Ovid (who does not imply a rape), though Lorenzo de' Medici had both a Roman sarcophagus and an antique carved gem of the subject, both with reclining Ledas.
The earliest known explicit Renaissance depiction is one of the many woodcut illustrations to Hypnerotomachia Poliphili, a book published in Venice in 1499. This shows Leda and the Swan making love with gusto, despite being on top of a triumphal car, being pulled along and surrounded by a considerable crowd. An engraving dating to 1503 at the latest, by Giovanni Battista Palumba, also shows the couple in coitus, but in deserted countryside Another engraving, certainly from Venice and attributed by many to Giulio Campagnola, shows a love-making scene, but there Leda's attitude is highly ambiguous. Palumba made another engraving in about 1512, presumably influenced by Leonardo's sketches for his earlier composition, showing Leda seated on the ground and playing with her children.
There were also significant depictions in the smaller decorative arts, also private media. Benvenuto Cellini made a medallion, now in Vienna, early in his career, and Antonio Abondio one on the obverse of a medal celebrating a Roman courtesan

In Painting


Leonardo da Vinci began making studies in 1504 for a painting, apparently never executed, of Leda seated on the ground with her children. In 1508 he painted a different composition of the subject, with a nude standing Leda cuddling the Swan, with the two sets of infant twins (also nude), and their huge broken egg-shells. The original of this is lost, probably deliberately destroyed, and was last recorded in the French royal Château de Fontainebleau in 1625 by Cassiano dal Pozzo. However it is known from many copies, of which the earliest are probably the Spiridon Leda, perhaps by a studio assistant and now in the Uffizi and the one at Wilton House in England (illustrated).
Also lost, and probably deliberately destroyed, is Michelangelo's tempera painting of the pair making love, commissioned in 1529 by Alfonso d'Este for his palazzo in Ferrara, and taken to France for the royal collection in 1532; it was at Fontainebleau in 1536. Michelangelo's cartoon for the work—given to his assistant Antonio Mini, who used it for several copies for French patrons before his death in 1533—survived for over a century. This composition is known from many copies, including an ambitious engraving by Cornelis Bos, c. 1563; the marble sculpture by Bartolomeo Ammanati in the Bargello, Florence; two copies by the young Rubens on his Italian voyage, and the painting after Michelangelo, ca. 1530, in the National Gallery, London.The Michelangelo composition, of about 1530, shows Mannerist tendencies of elongation and twisted pose (the figura serpentinata) that were popular at the time. In addition, a sculptural group, similar to the Prado Roman group illustrated, was believed until at least the 19th century to be by Michelangelo.
The last very famous Renaissance painting of the subject is Correggio's elaborate composition of c. 1530 (Berlin); this too was damaged whilst in the collection of Philippe II, Duke of Orléans, the Regent of France in the minority of Louis XV. His son Louis, though a great lover of painting, had periodic crises of conscience about his way of life, in one of which he attacked the figure of Leda with a knife. The damage has been repaired, though full restoration to the original condition was not possible. Both the Leonardo and Michelangelo paintings also disappeared when in the collection of the French Royal Family, and are believed to have been destroyed by more moralistic widows or successors of their owners.

There were many other depictions in the Renaissance, including cycles of book illustrations to Ovid, but most were derivative of the compositions mentioned above. The subject remained largely confined to Italy, and sometimes France – Northern versions are rare..After something of a hiatus in the 18th and early 19th centuries (apart from a very sensuous Boucher, Leda and the Swan became again a popular motif in the later 19th and 20th centuries, with many Symbolist and Expressionist treatments.

Modern Art

Cy Twombly executed an abstract version of Leda and the Swan in 1962. It is in the collection of the Museum of Modern Art, New York. Avant-garde filmmaker Kurt Kren along with other members of the Viennese Actionist movement, including Otto Muehl and Hermann Nitsch, made a film-performance called 7/64 Leda mit der Schwan in 1964. The film retains the classical motif, portraying, for most of its duration, a young woman embracing a swan.Photographer Charlie White included a portrait of Leda in his "And Jeopardize the Integrity of the Hull" series. Zeus, as the swan, only appears metaphorically. There is a life-sized marble statue of Leda and the Swan at the Jai Vilas Palace Museum in Gwalior, Northern Madhya Pradesh, India Bristol Museum and Art Gallery currently exhibits Karl Weschke's Leda and the Swan, painted in 1986.

Boucher's painting..


In 1742, Boucher submitted this picture to the Salon for exhibition. It is a refined and delicate painting, finished in a manner appropriate to its rather modest size. Immediately hailed as a masterpiece, Boucher made a copy which was shipped to Sweden in June 1742 where it has remained ever since. The original was throught to have been lost but was discovered and identified in the 1980s. Its free style and soft contours make it one of Boucher's loveliest.

The story of Leda and the swan was extremely popular in both renaissance and baroque art, but Boucher has presented the subject with unerring pictoral instinct, obviously less concerned with sticking to the original story. Nowhere in the various accounts of Jupiter's seduction of Leda, wife of King Tydnareus of Sparta by the god taking the form of a swan, is there mention of a second female as beautiful as Leda herself. And although by their coupling, Leda and Jupiter would produce Castor and Pollux as well as Helen and Clytaemnestra, Boucher's painting hints at none of this. Unlike most representations of the scene, Cupid, the little god of love, is nowhere present. Nor does this craning swan invoke the usual menacing lust of the most powerful of the gods. Indeed the swan is depicted in a way which seems deliberately calculated to contradict the phallic symbolism of its outstreteched neck.
By the addition of a second female figure, Boucher produced a sumptuous pyramid of flesh and luxurious raiment, but whose erotic overtones are somewhat tempered by the pastoral setting. Indeed the swan seems more like a domestic pet than a god about to rape Leda.

















































Thursday, 13 June 2013

മുലയൂട്ടല്‍ വിപ്ലവം


മുലയൂട്ടല്‍ വിപ്ലവം______ Bindu Gouri


ചരിത്രത്തിന്റെ താളുകളിലേക്ക് നോക്കുമ്പോള്‍ക്രിസ്തുവിനു മുന്‍പ് മുലയൂട്ടാത്ത കുട്ടികള്‍ എന്ത് ഭക്ഷണം ആയിരുന്നു കഴിച്ചിരുന്നത് എന്ന് നോക്കിയാല്‍ ഉത്തരം ലഭിക്കുക പ്രയാസമാണ്..കാരണം ഏതു സംസ്കാരം നോക്കിയാലും എല്ലാ അമ്മമാരും മുലയൂട്ടിയിരുന്നു..അഥവാ അങ്ങനെ സാധിക്കാത്ത (അമ്മമാര്‍ക്ക് പാലില്ലാത്ത അവസ്ഥ, അമ്മ പ്രസവത്തില്‍ മരിച്ച അവസ്ഥ ) പാലൂട്ടാന്‍ വേറെ അമ്മയെ കണ്ടെത്തിയിരുന്നു..
റോമന്‍ അധിനിവേശത്തിന്റെ ഫലമായി മറ്റു സംസ്കാരങ്ങളില്‍ മാറ്റം സംഭവിച്ചു..റോമക്കാര്‍ തങ്ങളുടെ മിഥ്യാധാരണകള്‍ മറ്റു സംസ്കാരങ്ങളില്‍ അടിച്ചേല്‍പ്പിച്ചു... അതായതു.. പ്രസവം കഴിഞ്ഞ ഉടനെ അമ്മയെയും കുട്ടിയേയും മാറി നിര്‍ത്തുക, ആദ്യത്തെ രണ്ടു ദിവസം മുലപ്പാലിന് പകരം തേനും മറ്റും കൊടുക്കുക... കുട്ടികളെ നോക്കാന്‍ ആയകളെ നിയോഗിക്കുക..മുലയൂട്ടല്‍ തുടങ്ങി വളരെ ചെറിയ കാലയളവില്‍ മൃഗങ്ങളുടെ പാല്‍, പഴച്ചാറ്,മുട്ട എന്നിവ കൊടുക്കുക ഇവയെല്ലാം റോമന്‍ പരിഷ്കാരങ്ങള്‍ ആയിരുന്നു..അതില്‍ ഏറ്റവും ക്രൂരമായത്..കുട്ടികള്‍ക്ക് വളരെ അവശ്യംവേണ്ട ആദ്യ ദിവസത്തെ പാല് ( colostrum ) നിഷേധിക്കുക എന്നതാണ്..
13 , 14 നൂറ്റാണ്ടില്‍ പ്രിന്റിംഗ് വന്നതോടെ കുറെ മാറ്റങ്ങള്‍ ഉണ്ടായി... മുലയൂട്ടലിന്റെ ആവശ്യകതയെ പറ്റി പുസ്തകങ്ങള്‍,നോട്ടിസുകള്‍.. ഇറങ്ങി..ശിശു മരണങ്ങളില്‍ കാര്യമായ മാറ്റം സംഭവിച്ചു...
16 ,17 നൂറ്റാണ്ടില്‍ യൂറോപ്പില്‍ നോക്കിയാല്‍ കത്തോലിക്കകാരായ അമ്മമാര്‍ കുട്ടികളെ മുലയൂട്ടുന്നതില്‍ വിസമ്മതിച്ചിരുന്നു...കാരണം മുലയൂട്ടുമ്പോള്‍ ശരീരത്തിന് ഉണ്ടാവുന്ന മാറ്റങ്ങള്‍,അന്നത്തെ വസ്ത്രധാരണ ശൈലികള്‍ , ഭര്‍ത്താക്കന്മാര്‍ക്ക് അവരോടുള്ള സമീപനം , കത്തോലിക്കാസഭയുടെ നിയമം( മുലയൂട്ടുന്ന അമ്മമാര്‍ ശാരീരിക ബന്ധത്തില്‍ എര്പെടുന്നത് സഭ തടഞ്ഞിരുന്നു)
18 നൂറ്റാണ്ടിലെ വ്യാവസായിക വിപ്ലവത്തിന്റെ ഫലമായി സാധാരണ സ്ത്രീകൾ തൊഴിലാവശ്യങ്ങൽക്കായി ഗ്രാമങ്ങളിൽ നിന്നും പട്ടണങ്ങലേക്ക് കുടിയേറി..പലര്ക്കും തങ്ങളുടെ കുട്ടികളെ സമയത്ത് പാലൂട്ടാൻ സാധിക്കാതെ വന്നു... മുലപ്പാല് കേടുകൂടാതെ സൂക്ഷിച്ചു വെക്കാനുള്ള സംവിധാനം ഉണ്ടായിരുന്നില്ല... ഏതൊക്കെ ശിശുമരണ നിരക്ക് കൂട്ടി..
19 നൂറ്റാണ്ടിന്റെ ആദ്യത്തിൽ പലതരം സമാന്തരങ്ങൾ ആയ ഭക്ഷണങ്ങള്‍ നിലവില്‍ വന്നു... കന്ടെന്‍സ് മില്‍ക്കിന്റെ രൂപത്തിലും, പൌഡര്‍ രൂപത്തിലും... പക്ഷെ ഇതൊന്നും ശരിയായ ഉത്തരം ആയിരുന്നില്ല..
ഇരുപതാംനൂറ്റാണ്ടിന്റെ തുടക്കത്തില്‍ തന്നെ "മുലപ്പാല്‍ വിപ്ലവം" ഉണ്ടായി..ജനങ്ങളുടെ ഇടയില്‍ മുലപ്പാലിന്റെ പ്രാധാന്യത്തെ പറ്റി ബോധവല്‍ക്കരണ ക്ലാസ്സുകള്‍ മറ്റും ധാരാളം നടന്നു.. 1972കളില്‍ ആണ് "ലോക മുലയൂട്ടല്‍ തരംഗം" നടന്നത്...
ഇന്നും... മുലയൂട്ടലിനോടുള്ള സമൂഹത്തിന്റെ തെറ്റായ സമീപനം... , സാമ്രാജ്യത്തിന്റെ കച്ചവട തന്ത്രങ്ങള്‍ , പരസ്യങ്ങള്‍..... ,എന്നിവകൊണ്ട് പൌഡര്‍ ഫോര്‍മുലയും മറ്റും മാര്‍ക്കറ്റ്‌ കീഴടക്കി എങ്കിലും " മുലയൂട്ടല്‍ വിപ്ലവം " തുടന്നു കൊണ്ടേയിരിക്കുന്നു....

Tuesday, 11 June 2013

പുനർജ്ജനിയുടെ സംഗീതം തേടി

പുനർജ്ജനിയുടെ സംഗീതം തേടി 

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പ്രിയമുള്ളവളേ നിന്നെ ഞാന്‍ അറിയില്ല;
ഞാൻ നിന്നെ കണ്ടിട്ടേയില്ല…
നിന്നെ കേട്ടതോ വെറും ദിവസങ്ങള്‍ മാത്രം;
എത്ര അറപ്പുളവാക്കുന്ന വചനങ്ങൾ….

എന്നിലെ കാളിയെ നിഗ്രഹിച്ചതും
നീ പ്രണയ ബിന്ദുക്കളായി പുനർജ്ജനിച്ചതും..
ഞാനോ?!
ആവാഹിച്ചു നഗ്നയായി,
ഭ്രാന്തിയായി;
ഇരുൾക്കയത്തില്‍ ആ ചുഴിയില്‍
പലവട്ടം ഉയരാൻ ശ്രമിക്കേ ഇരുട്ടിലേക്കു തന്നെയെന്നെ…
നീ ചവിട്ടിയരച്ച എന്റെ ഹൃദയത്തിൽ
നിന്നും ചോര വാർന്നൊഴുകെ
പതുക്കെപ്പതുക്കെ കാർന്നു തിന്നു
എന്നെ നീയാക്കി മാറ്റുന്നത്…
ഞാനറിയുന്നു
ഞാനെത്ര നിസ്സഹായ…
എന്റെ പ്രണയ മുറിവുകള്‍ നക്കി
എന്നിൽ പലവട്ടം ചവിട്ടി നൃത്തമാടുന്നതും
ഞാനറിയുന്നു..
എന്നിൽ നിന്നും പുറപ്പെടുന്ന നിന്റെ നിഴൽ
ശ്മശാന നായയുടെ നിഴലിനെക്കാൾ
അറപ്പോടെ എന്റെ കാഴ്ചയിൽ നിറഞ്ഞ്
എന്നെ ബലഹീനയാക്കികൊണ്ട്..
എന്റെ ഹൃദയമാണല്ലോ
നിനക്കർപ്പിക്കേണ്ടി വന്നതെന്ന്
നിശബ്ദ തേങ്ങലോടെ…

ഇനി,
എനിക്കൊരു പുനർജ്ജനി വേണം
ഈ ഗുഹയിൽ നിന്റെ വിസർജ്ജ്യത്തിൽ നിന്നും
ഞാനോടട്ടെ;
എനിക്കായി ഒരാകാശം
ഒരു ഭൂമി,
ഒരു കടൽ
എല്ലാമെല്ലാം ഒരുങ്ങുന്നുണ്ട്…
അതുകൊണ്ട്,
ഇവിടെ നിന്നും ഞാൻ പോകുന്നു..
എന്നന്നെക്കുമായി നിന്നെ വലിച്ചെറിഞ്ഞ്
എന്നെ വീണ്ടെടുക്കാൻ..........

ബിന്ദു ഗൌരി

Thursday, 2 May 2013

രണ്ടാം തരം പൌരന്മാർ....


രണ്ടാം തരം പൌരന്മാർ..

ലോകത്തിന്റെ പല ഭാഗത്തും നിയമാനുസൃതമായി ജീവിക്കുന്നവരും.. നിയമങ്ങള്‍ക്കു അതീതമായി ജീവിക്കുന്നവേരെയും കാണാം..അല്ലെങ്ങില്‍ നിയമങ്ങള്‍ എന്താണ്..? മനുഷ്യ നിര്‍മ്മിതമായ ഒരു ചട്ട കൂട്..പ്രകൃതിക്ക് ഒരു നിയമം ഉണ്ട് എന്ന് പലപ്പോഴും തോന്നിയിട്ടുണ്ട്..അലിഘിത നിയമം.. അത് അനുസരിച്ച് ജീവിക്കുന്ന ഒരു ജനത നമുക്ക് മുന്‍പേ കടന്നു പോയി..

എന്റെ ഒരു അടുത്ത സുഹൃത്ത്‌, കൃഷി ശാസ്ത്രജ്ഞയും ഹംഗേറിയന്‍ സ്വദേശിയും ആയ കാതറിന്‍ .. ഹംഗറിയിലും , റൊമാനിയയിലും , പോളണ്ടിലും ജര്‍മന്‍, റഷ്യന്‍, അധിനിവേശത്തെ കുറിച്ചും ,അവര്‍ അനുഭവിച്ച കഷ്തകളെ കുറിച്ചും വാതോരാതെ സംസാരിക്കുമായിരുന്നു.. ജിപ്സികളുടെ നേരായ ചിത്രങ്ങള്‍..... അത് പലപ്പോഴും മാധ്യമ വിവരങ്ങളില്‍ നിന്നും വളരെ വിഭിന്നമായിരുന്നു..

എന്തുകൊണ്ടോ ജിപ്സി സംഗീതം, അര്‍മേനിയന്‍ സംഗീതം, കസാക്ക് സംഗീതം .. ഇതൊക്കെ എന്നെ വളരെ വിചിത്ര മായ തലത്തില്‍ എത്തിക്കാറുണ്ട്...എന്നെ ഞാന്‍ പോലും അറിയാതെ വശികരിക്കുന്ന പോലെ തോന്നിയിട്ടുണ്ട്..

അത് പോട്ടെ.. പറഞ്ഞു വന്ന വിഷയത്തില്‍ നിന്നും മാറി പോയി..
ജിപ്സികള്‍ ( റോമ) അവരുടെ പ്രശ്നം കമ്മ്യൂണിസ്റ്റ്‌കാലത്തും അതിനെ ശേഷവും വളരെ ദയനിയമായിരുന്നു.. roma എന്ന് വിളിക്കുന്ന ഇവരുടെ വേരുകള്‍ ഇന്ത്യയിലും പാകിസ്ഥാനിലും ആയിരുന്നു എന്ന് പറയപ്പെടുന്നു.. മുഹമ്മദ് ഗന്സിയുടെ കാലത്ത് സിന്ധ് പ്രവിശ്യയില്‍ നിന്നും ഓടിപ്പോയവര്‍ ആണെന്നും പറയപ്പെടുന്നു..
എന്തുതന്നെയാലും വെറുപ്പ്‌, അവജ്ഞ എന്നിവകൊണ്ട് തിരസ്കരിക്കപെട്ട ഒരു ജനത..അവര്‍ക്കും ഉണ്ടായിരുന്നു പ്രശ്നങ്ങള്‍ .. ഏകാത്മത തീരെ ഇല്ല..പലപ്പോഴും ഇത് സംഘടനത്തില്‍ എത്തിക്കാറുണ്ട്..കമ്മ്യൂണിസ്റ്റ്‌ പോളിസികള്‍ ഇവരെ സവര്‍ണ്ണത നല്‍ക്കാന്‍ ശ്രമിച്ചു എങ്കിലും അതില്‍ എത്ര അവര്‍ക്ക് മുന്നോട്ടു വരാന്‍ പറ്റിയിട്ടുണ്ട് എന്ന് അറിയില്ല..സ്റ്റലിനിസ്റ്റ് പോളിസി അവരെ നിര്‍ബന്ധിതമായ കുടിയേറ്റം,നിര്‍ബന്ധിതമായ  വിദ്യാഭ്യാസം, സമൂഹികമായ സ്വജാതിയത  എന്നിവയ്ക്ക് കാരണമായിരുന്നെങ്കിലും സ്ത്രീകൾക്കു വളരെ അധികം ബുദ്ധിമുട്ട് ഉണ്ടായിരുന്ന കാലമായിരുന്നു അത്. നിർബന്ധിത വന്ധീകരണം നടത്തുകയും ജീവനോടെ ചുട്ടെരിക്കുകയും ചെയ്തിരുന്ന കാലം,,,തനതു കലയുടെ നഷ്ടം , അത് തീരാ നഷ്ടമായിരുന്നു . പോസ്റ്റ്‌ കമ്മ്യുണിസ്റ്റ് കാലത്തും  സാമ്പത്തികവും സാമൂഹികവുമായി തഴയപ്പെട്ട ജനത തന്നെ യായിരുന്നു അവർ.

ഹംഗറിയിൽ അവരുടെ ജീവിതത്തിനു കുറച്ചു വിത്യാസം വന്നിരുന്നു എങ്കിലും കാര്യമായ ഗുണങ്ങൾ ഒന്നും തന്നെ അവര്ക്ക് ലഭിച്ചുരുന്നില്ല . TITOIST പോളിസി കാരണം ബ്ലാക്ക്‌ മാർകെറ്റ് കൂടിവന്നു എങ്കിലും ജിപ്സി കളുടെ ഇടയിൽ അസാധാരണമായ ഒരു ഐക്യം ഉണ്ടായി.

റൊമാനിയയിൽ മറ്റു സ്ടലങ്ങളിൽ നിന്നും വിത്യസ്ടമായി ജീവിത സാഹചര്യങ്ങൾ ഉയര്ന്നു വരുകയും ആശയപരമായ സംരക്ഷണം ഉണ്ടാവുകയും ചെയ്തു .

CEANSESCUIST പോളിസി പോലും അവര്ക്ക് എതിര് തന്നെ യായിരുന്നു . ഒളിച്ചും പതിങ്ങിയും തങ്ങളുടെ കല സംരക്ഷിക്കേണ്ടി വരുന്ന ഒരു അവസ്ഥ ......
ഇന്ന് ലോകാരോഗ്യ സങ്കടന പോലുള്ള പ്രസ്ടാനങ്ങളെ ആവശ്യത്തിൽ കൂടുതൽ ആശ്രയിക്കേണ്ടിവരുന്ന അവസ്ഥയിലാണ് അവർ. യുറോപ്യൻ യൂണിയൻ അവരുടെ കാര്യത്തിൽ എന്ത് തീരുമാനം എടുക്കും എന്ന് കണ്ടറിയണം .